brody weaver

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	<title>brody weaver</title>
	<link>https://brodyweaver.com</link>
	<description>brody weaver</description>
	<pubDate>Sat, 21 Mar 2026 18:23:11 +0000</pubDate>
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		<title>Projects</title>
				
		<link>https://brodyweaver.com/Projects</link>

		<pubDate>Sun, 05 Mar 2023 17:30:30 +0000</pubDate>

		<dc:creator>brody weaver</dc:creator>

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exhibitions&#38;gt; The Speaking Subject (2023)&#38;gt; Resituating Interruptions (2020)&#38;gt; (re)tracing (2019)
&#38;gt; The Affective Pull (2018)

	video and film

&#38;gt; Leaky Tuck Tells a Story (2026)
&#38;gt; if you are like us, you know (2024)&#38;gt; Born in a Body (2023)
&#38;gt; Prerequisite (2021)&#38;gt; For the Record (2021)&#38;gt; An Archive for Gaby (2020)&#38;gt; PrEP: A Future Archive (2019)

	installation and performance
&#38;nbsp;&#38;gt; Sex Variants (2023)
&#38;gt; For the Girlies (2023)
&#38;gt; Gaëtan Gaëtan Gaëtan (2021)
&#38;gt; Bodily Horizon, 0-20 (2020)&#38;gt; A Fragile Archive (2019)&#38;gt; It Was My First Love (2019)

&#38;gt; Can An Archive Be Something You Feel With Your Body? (2019)&#38;gt; Meeting Place (2019)
&#38;gt; The Parade (2019)
&#38;gt; Social Assistance (2018)&#38;gt; Systems of Place&#38;nbsp;(2018)
	books and print

&#38;gt; We Come With Many Stories (2025)
&#38;gt; Stand-In (2020)
&#38;gt; Talking to Strangers (2019)&#38;gt; Whispers from the Web (2019)&#38;gt; A Public is a Relation Among Strangers (2019)
&#38;gt; Smith, Eric (2019)&#38;gt; The Parade (2019)
&#38;gt; Hello (2018)
&#38;gt; Love Cards (2018)
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	<item>
		<title>about and cv</title>
				
		<link>https://brodyweaver.com/about-and-cv</link>

		<pubDate>Sun, 05 Mar 2023 03:17:02 +0000</pubDate>

		<dc:creator>brody weaver</dc:creator>

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		<description>about and cv

	
&#60;img width="4016" height="6016" width_o="4016" height_o="6016" data-src="https://freight.cargo.site/t/original/i/75f0f371a3a964323f6610b2a7b0c31a5c909a376aae7524931c78ccd2078cda/Brody-Weaver_photo-credir-Drew-Quon-2025.jpg" data-mid="238478458" border="0" data-scale="79" src="https://freight.cargo.site/w/1000/i/75f0f371a3a964323f6610b2a7b0c31a5c909a376aae7524931c78ccd2078cda/Brody-Weaver_photo-credir-Drew-Quon-2025.jpg" /&#62;
Photo credit: Drew Quon, Trans/form series 2025.
	Brody Weaver is a media artist, writer and educator currently living between tkaronto (Toronto, ON) and kjipuktuk (Halifax, NS). She has a BA in Art History and Contemporary Culture from NSCAD U with her graduating solo exhibition, The Speaking Subject, at the Anna Leonowens Gallery in January 2023. She is currently a graduate Fellow in the Master of Information program at the University of Toronto, concentrating in Archives and Records Management with a collaborative specialization in Women and Gender Studies.

Brody was a Media Art Scholar at the Centre for Art Tapes in 2022-23 where she made a feature length, collaborative documentary about trans people, health care, and the depth of knowledge that this community holds. This project was screened at the Art Gallery of Nova Scotia and featured as the Artist Project in C Magazine’s Fall 2023 Issue, curated by Excel Garay. In 2024, she was the inaugural Writer-in-Residence at Eyelevel Artist Run Centre. She has worked in archives and collections, academic and arts-based research, and as a facilitator for art and community-based education programs.&#38;nbsp;As a genderqueer woman, she is entranced by and fixated on the construction of historical and contemporary knowledge about gender, sexuality, medicine, and trauma. Her work across media, installation, and text is research based and often makes use of archives and historical case studies. Across these sites of output, Brody works from a critical standpoint which interrogates the central role that power plays in what is known and knowable, and who is seen as knowing. She is particularly inspired by transfeminist theory, critical race theory, and theories of memory, trauma, and the archive. Overtime, her practise has shifted focus from material to media, with a sensitvity for the overlap of these approaches. Brody seeks to leverage the pedagogical (learning beyond the format and restraints of formalized education) potential of art and visual culture through participatory, collaborative, and community-based processes.


Brody Weaverb. 1999brodyweaver@gmail.combrodyweaver.com
Education&#38;gt; (2025-2027) Master of Information, Archives and Records Management with Collaborative Specialization in Women and Gender Studies, University of Toronto, Faculty of Information &#38;amp; Women and Gender Studies Institute
&#38;gt; (2020-2023) Graduate level coursework in the department of Art Education, NSCAD University, Halifax NS&#38;gt; (2018-2023) BA Art History + Contemporary Culture, NSCAD University, Halifax NS&#38;gt; (2015-2018) Bealart Foundations with Specialization in Installation, Intermedia, and Art History, H.B. Beal Secondary School,&#38;nbsp;London ON

Residencies
&#38;gt; (2024) Writer in Residence, Eyevel Artist Run Centre, Halifax&#38;nbsp;
&#38;gt; (2022-2023) Media Art Scholar, Centre for Art Tapes (CFAT), Halifax NS
Solo and Two Person Exhibitions&#38;gt; (2023) The Speaking Subject, Anna Leonowens Gallery, Halifax NS
&#38;gt; (2019) (re)tracing, Anna Leonowens Gallery, Halifax NS&#38;gt; (2018) Objects of Intimacy, Bakers Dozen, London ONSelected Group Exhibitions&#38;gt; (2025) Out of Line, Khyber Centre for the Arts, Halifax NS
&#38;gt; (2023) Test Test?, Centre for Art Tapes, Halifax NS
&#38;gt; (2022) Gaeity, Anna Leonowens Gallery, Halifax NS&#38;gt; (2019) by their very nature, Anna Leonowens Gallery, Halifax NS&#38;gt; (2019) Edition Toronto, Hektor Projects, Toronto ON&#38;gt; (2019) Pride Art Show, the ARTS Project, London ON&#38;gt; (2018) Lost and Found, Forest City Gallery, London, ON&#38;gt; (2018) New York Art Book Fair, PS1 MoMA, New York NY&#38;gt; (2018) Edition Toronto, Hektor Projects, Toronto ON&#38;gt; (2019) The Affective Pull, Satellite Project Space, London ON&#38;gt; (2018) Between Us (and You), The ARTS Project, London ON&#38;gt; (2018) How to Say Orange in a New Jersey Accent, UPR LFT, London ON&#38;gt; (2017) Satellite Award Exhibition, with Paul Chartrand, Ronnie Clark, and Hollie Pichette. Satellite Project Space, London ON&#38;gt; (2016) Scale, Satellite Project Space, London ON
Public Installations
&#38;gt; (2020) Resituating Interruptions, the NSCAD Queer Collective and the Nova Scotia LGBT Seniors Archive, Nocturne, Halifax NS&#38;gt; (2019) A Soft Place, the NSCAD Queer Collective, Nocturne, Halifax NS
Curatorial Projects&#38;gt; (2022) Curatorial team, Slavery North: An Exhibition of Art, Artifacts, and Documents, lead curator Dr. Charmaine Nelson, Anna Leonowens and the Institute for the Study of Canadian Slavery, Halifax NS&#38;gt;&#38;nbsp; (2019) Curatorial team, Show and Tell, lead curator Dr. Carla Taunton, a performance series of community-based art practise, ArtBar + Projects, Halifax NS&#38;gt; (2019) Co-curator, by their very nature, group exhibition, Anna Leonowens Gallery, Halifax NS&#38;gt; (2018) Independent curator, The Affective Pull, group exhibition, Satellite Project Space, London ON
Published Writing and Art
&#38;gt; (2025, Forthcoming) “People, Places, and Plants,” Eyelevel Annual Publication&#38;gt; (2025, Forthcoming) “Heatwaves Micro-Residency Program: 2024 Spotlight,” Eyelevel Annual Publication
&#38;gt; (2025) “The Gift of Time: in Conversation with Holly Timpener,” Femme Art Review
&#38;gt; (2024) “Socially Engaged Art: On Making with Others,” Visual Arts News
&#38;gt; (2024) “Unbound from the Limitations of the Sex Worker Archive: in Coversation with Daze Jefferies,” Peripheral Review
&#38;gt; (2024) “Log Onto the World of Marissa Sean Cruz,” Visual Arts News
&#38;gt; (2023) Artist Project, C Magazine Issue 154: CODES, Toronto ON
&#38;gt; (2022) “Somewhere Between Then and Now,” Lou Sheppard: Phase Variations, Nevermore Press, Lunenburg NS&#38;gt; (2022) “Theorizing Non-Participation in a Mail-Based Participatory Visual Research Project with 2SLGBTQ+ Youth in Atlantic Canada”. Weaver, B., Thorpe, A., Mandrona, A., MacKantee, K. &#38;amp; Burkholder, C. In Facilitating community research for social change: Case studies in qualitative, arts-based and visual research. Routledge.&#38;gt; (2020) "Queer community archives", research article uploaded to Wikipedia.&#38;gt; (2019) (re)tracing, exhibition catalouge, self published at the Anna Leonowens Gallery, Halifax NS&#38;gt; (2019) “Ahuman Agency”, commissioned essay for Ed Pien’s lithograph Hungry Sea, litho.nscad.ca&#38;gt; (2019) “Untitled (dear mom)”, personal essay published in Cool Customer Vol. I, Toronto ON&#38;gt; (2018) take me with you before you go, artist book published with Hecktor Projects, Toronto ON&#38;gt; (2018) The Affective Pull, exhibition catalogue, self published at Satellite Project Space, London ON&#38;nbsp; Arts Work&#38;gt; (2025) Facilitator and Program Design, “Turret Queer Arts Group,” partnership between the Turret Arts Society and Leave Out Violence Nova Scotia, Halifax NS
&#38;gt; (2025) Digitial Archives Intern, Atlantic Filmmakers Cooperative, Halifax NS
(2022) Facilitator and Program Design, “Zines, DIY Publishing and Queer Histories,” partnership between the Anchor Archive Zine Library and the Youth Project, Halifax NS&#38;gt; (2021) Facilitator and Program Design, “Fashion Hacking for Queer and Trans* Youth,” MacPhee Center for Creative Learning and NSCAD University’s Fashion Department, Halifax NS&#38;gt; (2021) Moderator, “Syrus Marcus Ware: Counter-Memory Activism Speaker Series,” Counter Memory Activism Speaker Series, Halifax NS&#38;gt; (2019-2020) Archives and Special Collections Assistant, Anna Leonowens Gallery, Halifax NS&#38;gt; (2019-2020) Facilitator and&#38;nbsp;Member, NSCAD Queer Collective, Halifax NS&#38;gt; (2018-2020) Installation Assistant, Anna Leonowens Gallery, Halifax NS&#38;gt; (2019) Project Assistant, NSCAD Lithography Workshop: Contemporary Editions&#38;gt; (2019) Archives and Special Collections Assistant, Anna Leonowens Gallery, Halifax NS&#38;gt; (2018) Event Coordinator, Bealart Art Lecture Series, ArtLab, University of Western Ontario&#38;nbsp; Research Positions&#38;nbsp; &#38;nbsp;&#38;gt; (2020-2022) Research Assistant, "Pride/Swell: An Art and Activism Summit" (SSHRC, PI Casey Burkholder), NSCAD University and the University of New Brunswick&#38;gt; (2020-2021) Research Assistant, "Memory Activism: Collaborative Processes of Counter-Memorialization" (SSHRC, PI Solomon Nagler), NSCAD University and King's College&#38;gt; (2020) Archival Research Assistant, Hubbard / Birchler, Anna Leonowens Gallery Archives, Lithography Workshop Fonds&#38;gt; (2019) Research Assistant, "'For Us by Us': Children's Picture Books to Promote Solidarity and Acceptance in the Age of Refugees" (SSHRC, PI Dr. April Mandrona), NSCAD UniversityTalks and Panels&#38;nbsp;&#38;gt; (2024) Moderator, “Trans Representation in Film,” Nova Scotia Human Rights Comission’s Human Rights on Screen Series, Halifax NS
&#38;gt; (2023) Artist talk, “Brody Weaver and Elliot Ciz in Coversation with Excel Garay,” C Magazine
&#38;gt; (2021) Co-Chair, Roundtable, “Creative Methods for Disrupting Institutional Protocols”, Universities Art Association of Canada &#38;gt; (2019) Presenter, Roundtable, “Radical Curatorial Practises,” ArtBar + Projects, Halifax NS&#38;gt; (2019) Artist talk, “(re)tracing”, Anna Leonowens Gallery, Halifax NS&#38;gt; (2018) Artist talk, “Delay, Fragment, the Body that Passed: an elegy”, Bealart Art Talk Lecture Series, ArtLab, University of Western Ontario&#38;gt; (2017) Artist talk, “Art as Active Existence”, Bealart Art Talk Lecture Series, ArtLab, University of Western OntarioSelected Awards, Scholarships, and Grants&#38;gt; (2025-2027) Faculty of Information Masters Fellowship, Toronto ON
&#38;gt; (2024) Media Art Production Fund, Struts Gallery, Sackville NB
&#38;gt; (2022) Media Art Scholarship, Centre for Art Tapes, Halifax NS
&#38;gt; (2018-2022) Creative Innovator of Tomorrow (Full Tuition Scholarship), NSCAD University&#38;gt; (2021) Kevin and Karen Lynch Scholarship for Sculpture, NSCAD University&#38;gt; (2021) Robert Pope Painting Endowment Scholarship, NSCAD University&#38;gt; (2020) Beacon Project Funding, Nocturne, Halifax NS&#38;gt; (2020) Joseph Beuys Memorial Scholarship, NSCAD University&#38;gt; (2020) Thomas George and Ethel Pearson MacKenzie Scholarship, NSCAD University&#38;gt; (2019) Allan C. Fleming Memorial Scholarship, NSCAD University&#38;gt; (2018) Presidential Merit Scholarship, School of the Art Institute of Chicago&#38;gt; (2018) Admission + Innovator Scholarship, Cooper Union School of Art, New York City&#38;gt; (2017) Satellite Award Exhibition Recipient, London ON

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		<title>Writing</title>
				
		<link>https://brodyweaver.com/Writing</link>

		<pubDate>Tue, 04 Apr 2023 12:48:59 +0000</pubDate>

		<dc:creator>brody weaver</dc:creator>

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	writing
	&#38;gt; (Forthcoming) People, Places, and Plants
Essay on ethobotany in the work of Anélia Victor and Zonghua Ai, published in Eyelevel’s Annual Publication.
&#38;gt; (Forthcoming)&#38;nbsp;Heatwaves Micro-Residency Program: 2024 Spotlight
Essay featuring Eyelevel’s Heatwaves Artists-in-Residence:&#38;nbsp;Brit Fox, Claudia Manco Peña, ivan beck, and Toby Green. Published in&#38;nbsp;Eyelevel’s Annual Publication.

&#38;gt; (2025) The Gift of Time: in Conversation with Holly Timpener
Longform interview with performance artist and facilitator Holly Timpener published in Femme Art Review.

&#38;gt; (2024) Socially Engaged Art: On Making with Others.
Feature article on the work of Camille Turner, Kim Morgan, Mo&#38;nbsp;Phùng &#38;amp; Mo Glitch, Leesa Hamilton, and Jessica Winton for Visual Arts News Fall 2024 print issue and online.

&#38;gt; (2024) Unbound from the Limitations of the Sex Worker Archive: in Coversation with Daze Jefferies.Longform interview with Daze Jefferies published in Peripheral Review.

&#38;gt; (2024) Log On to the World of Marissa Sean CruzArtist profile in Visual Arts News’ Spring 2024 print issue.

&#38;gt; (2020/22)&#38;nbsp;Queer Community Archives.Research article uploaded to Wikipedia under the username ‘basilweave.’&#38;gt; (2022) Somewhere Between Then and Now.Essay in the exhibition catalouge Lou Sheppard: Phase Variations, published by Nevermore Press in Lunenburg, NS.
&#38;gt; (2022) “Theorizing Non-Participation in a Mail-Based Participatory Visual Research Project with 2SLGBTQ+ Youth in Atlantic Canada”. Weaver, B., Thorpe, A., Mandrona, A., MacKantee, K. &#38;amp; Burkholder, C. In Facilitating community research for social change: Case studies in qualitative, arts-based and visual research. Routledge.
&#38;gt;(2022) Fugivity, Mobility, and Northern Climate Enslavement in the British Imperial World: Late Eighteenth-Century Runaways on the North Eastern Seabord.

Chrysalis: A Critical Student Journal of Transformative Art History, edited by Dr. Charmaine Nelson, Institute for the Study of Canadian Slavery, vol. 1 no. 9.
&#38;gt; (2019) Ahuman Agency.Commissioned essay for Ed Pien’s lithograph The Hungry Sea (2018), produced for NSCAD Lithography Workshop: Contemporary Editions.


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		<title>The Speaking Subject</title>
				
		<link>https://brodyweaver.com/The-Speaking-Subject</link>

		<pubDate>Sun, 05 Mar 2023 18:14:27 +0000</pubDate>

		<dc:creator>brody weaver</dc:creator>

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		<description>
	The Speaking Subject
Anna Leonowens Gallery
Jan 31- Feb 4, 2023

Brody Weaver
Works in exhibition:
&#38;gt; For the Record&#38;nbsp;
&#38;gt; Prerequisite
&#38;gt; PrEP: A Future Archive
&#38;gt; Gaetan Gaetan Gaetan
&#38;gt; On Being Looked At
&#38;gt; On Looking Back
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	In this exhibition, Brody Weaver presents media artworks&#38;nbsp; created over the past four years that document her sustained investigations into gender and sexuality as they intersect with contemporary and historical life. The title of the exhibition, “The Speaking Subject” is drawn from transfeminist theory that centres the voice of the medicalized trans subject. It signals the production of knowledge by the trans subject who has previously been the subject of knowl- edge produced about her. Through her interrogation of historical figures and case studies across sexology, “Canadian” nationalism, queer history, transgender healthcare, and the HIV/AIDS epidemic she highlight instances whereby knowledge production, co-option, and appropriation come to bare on the uneven distribution of life and death. Three video-based works made between 2019 and 2021 are shown with new(er) installations which detail the institutionalisation of community-based knowledge never intended for our consumption in the forms they now exist in. 

	
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		<title>Resituating Interruptions</title>
				
		<link>https://brodyweaver.com/Resituating-Interruptions</link>

		<pubDate>Sun, 05 Mar 2023 18:14:25 +0000</pubDate>

		<dc:creator>brody weaver</dc:creator>

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		<description>
	Resituating Interruptions

Nocturne
October 2020
Produced with the NSCAD Queer Collective in collaboration with the Nova Scotia LGBT Seniors Archive with contributions from Wesley Riley and Vie Jones.
View the project website here.


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	“2SLGBTQIA+ historical material is hard to find. Queer communities, for many reasons, do not always leave easily accessed paper trails. Erasure and censorship, both of information and physical space, is a felt problem. Often, queer history and knowledge circulate as whispers and word-of-mouth, between and among those who seek it out. The Nova Scotia LGBT Seniors Archive is the first institutional, dedicated queer archive east of Montreal. This project, made in consultation and partnership with the NS LGBT Archive’s creators, seeks to mobilize and activate the contents of this collection on occasion of its public launch on October 15th, 2020.” 
– Project website
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		<title>(re)tracing</title>
				
		<link>https://brodyweaver.com/re-tracing</link>

		<pubDate>Sun, 05 Mar 2023 18:14:22 +0000</pubDate>

		<dc:creator>brody weaver</dc:creator>

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	(re)tracing
Anna Leonowens Gallery
Oct 29 – Nov 2, 2019

Brit Moore-Shirley and Brody Weaver
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&#60;img width="4329" height="2886" width_o="4329" height_o="2886" data-src="https://freight.cargo.site/t/original/i/de4a2d0b1fd71b5c723dbef86e727d1d1002f733f4c59ec3a6f6b422fc7bbaaf/A19104526MooreShirleyWeaver-13.jpg" data-mid="170637821" border="0"  src="https://freight.cargo.site/w/1000/i/de4a2d0b1fd71b5c723dbef86e727d1d1002f733f4c59ec3a6f6b422fc7bbaaf/A19104526MooreShirleyWeaver-13.jpg" /&#62;


	“So, here we are, tracing. We are tracing
different things, but the same things. We are tracing things together, and separately. We are drawing contours, replicas, transcriptions, identities. A
club. A sauna. A photograph of a family member,
a photograph from a family member’s home. A
celebrities coming out letter. An obituary. An icon.
We are drawn to the word tracing because it im-
plies a contemporary subject coming to know,
recreate, or citationally engage with a historical
object, but an object is never just an object. Within this work and writing, we are tracing a queer
subjectivity. We are tracing our queer subjectivities, within their overlaps, points of departure, influences, and affects. This work comes from subjects within the world, making art to speak about
that world; there is little distance here.”
– Exhibition catalouge
</description>
		
	</item>
		
		
	<item>
		<title>The Affective Pull</title>
				
		<link>https://brodyweaver.com/The-Affective-Pull</link>

		<pubDate>Sun, 05 Mar 2023 18:14:20 +0000</pubDate>

		<dc:creator>brody weaver</dc:creator>

		<guid isPermaLink="true">https://brodyweaver.com/The-Affective-Pull</guid>

		<description>
	The Affective Pull
Satellite Project Space
July 24 – August 2, 2018Alexis Nanibus, Angie Quick, Brody Weaver, Chryssa Tassopoulos, Ness Iron Beatrice Shilton, Lynn Park, Mateus Butterwick, Tess Davey, Monica Peef, Britt Moore-Shirley / Foxtrapped
Curated by Brody Weaver


&#60;img width="4916" height="2931" width_o="4916" height_o="2931" data-src="https://freight.cargo.site/t/original/i/be45530b064b2528958dc3d249e451077cd7fcc2bbf380f8e65a2d47242cdec5/AP_Brit5.jpg" data-mid="170639948" border="0"  src="https://freight.cargo.site/w/1000/i/be45530b064b2528958dc3d249e451077cd7fcc2bbf380f8e65a2d47242cdec5/AP_Brit5.jpg" /&#62;
&#60;img width="3701" height="5566" width_o="3701" height_o="5566" data-src="https://freight.cargo.site/t/original/i/b8a4a5bca16a334809c63397c8ad65e054526258f64eca3b2bb23597f8b58ed7/AP_Tess1.jpg" data-mid="170639847" border="0"  src="https://freight.cargo.site/w/1000/i/b8a4a5bca16a334809c63397c8ad65e054526258f64eca3b2bb23597f8b58ed7/AP_Tess1.jpg" /&#62;
&#60;img width="5411" height="3072" width_o="5411" height_o="3072" data-src="https://freight.cargo.site/t/original/i/b8a4476e64d2a30ca720a1169dbd3fb12371992e92a0e306dbefe4fa243ebe36/AP_Mateus7.jpg" data-mid="170640042" border="0"  src="https://freight.cargo.site/w/1000/i/b8a4476e64d2a30ca720a1169dbd3fb12371992e92a0e306dbefe4fa243ebe36/AP_Mateus7.jpg" /&#62;
&#60;img width="3545" height="5568" width_o="3545" height_o="5568" data-src="https://freight.cargo.site/t/original/i/7e59a96433b651dc830362a525cb469cad8f41360f1cc1e7957ac9a6a13553e3/AP_Lynn2.jpg" data-mid="170639957" border="0"  src="https://freight.cargo.site/w/1000/i/7e59a96433b651dc830362a525cb469cad8f41360f1cc1e7957ac9a6a13553e3/AP_Lynn2.jpg" /&#62;
&#60;img width="5829" height="3876" width_o="5829" height_o="3876" data-src="https://freight.cargo.site/t/original/i/136b16a0a80681ef06d0ed468d8dd9511687e91b22cea41cdc5264bb0b75b90f/AP_Alexis4.jpg" data-mid="170639597" border="0"  src="https://freight.cargo.site/w/1000/i/136b16a0a80681ef06d0ed468d8dd9511687e91b22cea41cdc5264bb0b75b90f/AP_Alexis4.jpg" /&#62;
&#60;img width="4422" height="3772" width_o="4422" height_o="3772" data-src="https://freight.cargo.site/t/original/i/b23c6ff0aa7fd34a7f4afbc0613a32e33b8ae9c6da023c1b35b96dcdb0aa220a/AP_Ness2.jpg" data-mid="170640053" border="0"  src="https://freight.cargo.site/w/1000/i/b23c6ff0aa7fd34a7f4afbc0613a32e33b8ae9c6da023c1b35b96dcdb0aa220a/AP_Ness2.jpg" /&#62;
&#60;img width="3419" height="5142" width_o="3419" height_o="5142" data-src="https://freight.cargo.site/t/original/i/63ccd7c876b0349c3d056080e1b83fc9c5fa63c5c158d56dfa008a0b74e69d2c/AP_Angie1.jpg" data-mid="170640200" border="0"  src="https://freight.cargo.site/w/1000/i/63ccd7c876b0349c3d056080e1b83fc9c5fa63c5c158d56dfa008a0b74e69d2c/AP_Angie1.jpg" /&#62;
&#60;img width="5083" height="3054" width_o="5083" height_o="3054" data-src="https://freight.cargo.site/t/original/i/7282b4a905377b2a4603370bc4c56fe05f366cb00df6928fb1fba3410df03289/AP_Beatrice8.jpg" data-mid="170639740" border="0"  src="https://freight.cargo.site/w/1000/i/7282b4a905377b2a4603370bc4c56fe05f366cb00df6928fb1fba3410df03289/AP_Beatrice8.jpg" /&#62;
&#60;img width="5338" height="3549" width_o="5338" height_o="3549" data-src="https://freight.cargo.site/t/original/i/7191743d94ab4cae990e2b0be23bcb2de460b0989c25d24398a525ca2e3fe061/AP_Chryssa.jpg" data-mid="170639899" border="0"  src="https://freight.cargo.site/w/1000/i/7191743d94ab4cae990e2b0be23bcb2de460b0989c25d24398a525ca2e3fe061/AP_Chryssa.jpg" /&#62;

Complete documentation and list of works available by request.


	“In the summer of 2018, I curated an exhibition of ten of my close friends.I curated their work together because they are all great artists, but also, because they are all my friends.I like curating, of course, but I like my friends more.And many of the participating artists have connections and friendships as well. I didn't want to separate this from the work. Not because it would be dishonest, but because,It is important that we are friends.It is important that some of us grew up together.It is important that three of us lived together.It is important that we all have strong ties to a basement just down the street.Affect held us together. Affect held our work together.Affect held the room.The Affective Pullpulled me in.”– Curatorial statement&#38;nbsp;
</description>
		
	</item>
		
		
	<item>
		<title>Leaky Tuck Tells a Story</title>
				
		<link>https://brodyweaver.com/Leaky-Tuck-Tells-a-Story</link>

		<pubDate>Sat, 21 Mar 2026 18:23:11 +0000</pubDate>

		<dc:creator>brody weaver</dc:creator>

		<guid isPermaLink="true">https://brodyweaver.com/Leaky-Tuck-Tells-a-Story</guid>

		<description>
	Leaky Tuck Tells a StoryBrody Weaver &#38;amp; Marley O’Brien
00:10:00
2026

	
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/712486771060e70a61454902f1f697c84cd23e32279ad0cb1452692329368b62/Leaky-Tuck-Tells-a-Story_Still-2.jpg" data-mid="246324773" border="0"  src="https://freight.cargo.site/w/1000/i/712486771060e70a61454902f1f697c84cd23e32279ad0cb1452692329368b62/Leaky-Tuck-Tells-a-Story_Still-2.jpg" /&#62;
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/27df489106ce784ff880640c7b79d36aed958a306669fdac8af7378eec5e485e/Leaky-Tuck-Tells-a-Story_Still-1.jpg" data-mid="246324772" border="0"  src="https://freight.cargo.site/w/1000/i/27df489106ce784ff880640c7b79d36aed958a306669fdac8af7378eec5e485e/Leaky-Tuck-Tells-a-Story_Still-1.jpg" /&#62;
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/cd66af8f4861164be1b0b095d14219431918583f483a28464e7ae5d6a5dce93f/Leaky-Tuck-Tells-a-Story_Still-3.jpg" data-mid="246324774" border="0"  src="https://freight.cargo.site/w/1000/i/cd66af8f4861164be1b0b095d14219431918583f483a28464e7ae5d6a5dce93f/Leaky-Tuck-Tells-a-Story_Still-3.jpg" /&#62;
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/9e7b3307053085be25ce40f12d3fbc92244975983a6f1b4d37dbab7a89b31838/Leaky-Tuck-Tells-a-Story_Still-5.jpg" data-mid="246324777" border="0"  src="https://freight.cargo.site/w/1000/i/9e7b3307053085be25ce40f12d3fbc92244975983a6f1b4d37dbab7a89b31838/Leaky-Tuck-Tells-a-Story_Still-5.jpg" /&#62;
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/39cf08c0951487561ce847a30b0f85804bc2dad3e7453ae7a7b1985653105102/Leaky-Tuck-Tells-a-Story_Still-4.jpg" data-mid="246324776" border="0"  src="https://freight.cargo.site/w/1000/i/39cf08c0951487561ce847a30b0f85804bc2dad3e7453ae7a7b1985653105102/Leaky-Tuck-Tells-a-Story_Still-4.jpg" /&#62;
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/40d209246442467085ad8b09d9f44d20ea6e93c7b09e220eb0e655ac14e840f4/Leaky-Tuck-Tells-a-Story_Still-7.jpg" data-mid="246324778" border="0"  src="https://freight.cargo.site/w/1000/i/40d209246442467085ad8b09d9f44d20ea6e93c7b09e220eb0e655ac14e840f4/Leaky-Tuck-Tells-a-Story_Still-7.jpg" /&#62;

Selected stills. See more and program this film as part of a festival via Film Freeway or by contacting the directors.
	Elder queen Leaky Tuck (any pronouns) reluctantly recounts the demise of her modest drag career to younger queer, Babe. Somewhere between oral history and make-believe, Leaky's melodramatic tale narrates his untimely on-stage breakdown and subsequent runaway to who-knows-where. Indulging in the power that Babe's willing ears and audio recorder supply, Leaky finds herself immersed in the adrenaline of performance, the degradation of trans femininity, and a near-empty pack of cigarettes in his attempt to make sense of her glory days.
</description>
		
	</item>
		
		
	<item>
		<title>if you are like us, you know</title>
				
		<link>https://brodyweaver.com/if-you-are-like-us-you-know</link>

		<pubDate>Fri, 23 Feb 2024 22:34:27 +0000</pubDate>

		<dc:creator>brody weaver</dc:creator>

		<guid isPermaLink="true">https://brodyweaver.com/if-you-are-like-us-you-know</guid>

		<description>
	if you are like us, you knowWren Tian &#38;amp; Brody Weaver
00:06:21
2024

	
&#60;img width="3024" height="1704" width_o="3024" height_o="1704" data-src="https://freight.cargo.site/t/original/i/bd42dc5db195539182469b4997a8ccefbfdc6b1a75c6a11baa1abd4bca3f915b/Screenshot-2024-02-23-at-6.30.16-PM.png" data-mid="205345862" border="0"  src="https://freight.cargo.site/w/1000/i/bd42dc5db195539182469b4997a8ccefbfdc6b1a75c6a11baa1abd4bca3f915b/Screenshot-2024-02-23-at-6.30.16-PM.png" /&#62;
&#60;img width="3024" height="1702" width_o="3024" height_o="1702" data-src="https://freight.cargo.site/t/original/i/e525f7a67d8f80f1129238a3ec7f7e573f85f34126562d637a1f0e47809a9fd2/Screenshot-2024-02-23-at-6.29.27-PM.png" data-mid="205345855" border="0"  src="https://freight.cargo.site/w/1000/i/e525f7a67d8f80f1129238a3ec7f7e573f85f34126562d637a1f0e47809a9fd2/Screenshot-2024-02-23-at-6.29.27-PM.png" /&#62;
&#60;img width="1515" height="851" width_o="1515" height_o="851" data-src="https://freight.cargo.site/t/original/i/53f2fefba88859eec15d9535d129275d8c4175925eb18d3d8a30aa682505283c/Screenshot-2024-02-23-at-6.28.56-PM.png" data-mid="205345854" border="0"  src="https://freight.cargo.site/w/1000/i/53f2fefba88859eec15d9535d129275d8c4175925eb18d3d8a30aa682505283c/Screenshot-2024-02-23-at-6.28.56-PM.png" /&#62;
&#60;img width="3018" height="1692" width_o="3018" height_o="1692" data-src="https://freight.cargo.site/t/original/i/9f56fb6bc65d70020d210c172abbe4b821d844efb762bb9b83e4d7581ebe4d88/Screenshot-2024-02-23-at-6.30.54-PM.png" data-mid="205345858" border="0"  src="https://freight.cargo.site/w/1000/i/9f56fb6bc65d70020d210c172abbe4b821d844efb762bb9b83e4d7581ebe4d88/Screenshot-2024-02-23-at-6.30.54-PM.png" /&#62;
&#60;img width="3024" height="1698" width_o="3024" height_o="1698" data-src="https://freight.cargo.site/t/original/i/e3043d0bb419b27dc0498d562dcfa7bff4467937b8532ad05d8f4e2789efc08a/Screenshot-2024-02-23-at-6.29.56-PM.png" data-mid="205345856" border="0"  src="https://freight.cargo.site/w/1000/i/e3043d0bb419b27dc0498d562dcfa7bff4467937b8532ad05d8f4e2789efc08a/Screenshot-2024-02-23-at-6.29.56-PM.png" /&#62;
&#60;img width="1516" height="850" width_o="1516" height_o="850" data-src="https://freight.cargo.site/t/original/i/b45f07738d0ca0d1ef3277088d7eccc5f7a88a9814734553c0be944fc43f0c84/Screenshot-2024-02-23-at-6.30.33-PM.png" data-mid="205345861" border="0"  src="https://freight.cargo.site/w/1000/i/b45f07738d0ca0d1ef3277088d7eccc5f7a88a9814734553c0be944fc43f0c84/Screenshot-2024-02-23-at-6.30.33-PM.png" /&#62;

Selected stills.
if you are like us, you know&#38;nbsp;(2024) was screened at The Blue Building Gallery for The Infernal Grove’s series “Youth Pastor is a Narc” on January 26th, 2024.
	
</description>
		
	</item>
		
		
	<item>
		<title>Born in a Body</title>
				
		<link>https://brodyweaver.com/Born-in-a-Body</link>

		<pubDate>Mon, 06 Mar 2023 00:46:09 +0000</pubDate>

		<dc:creator>brody weaver</dc:creator>

		<guid isPermaLink="true">https://brodyweaver.com/Born-in-a-Body</guid>

		<description>
	Born in a Body
Elliot Ciz and Brody Weaver
Documentary film
00:53:51
2023
Project participants:
Aron Shaw
Brody WeaverCarmel Farahbakhsh
Elliot Ciz
Grey Muldoon
Mable Munroe
Marley O’Brein
Wren Tian
	
&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/121aa39182bc98f9db45f441da31cc91cacd655a9aba5de27d459a40f7751c9c/Born-in-a-Body2.png" data-mid="170640551" border="0"  src="https://freight.cargo.site/w/1000/i/121aa39182bc98f9db45f441da31cc91cacd655a9aba5de27d459a40f7751c9c/Born-in-a-Body2.png" /&#62;
&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/10cefb385db0df71b5157fcc1d33032973abbb06b8b1750b4d2f220f51a1ad19/Born-in-a-Body4.png" data-mid="170640598" border="0"  src="https://freight.cargo.site/w/1000/i/10cefb385db0df71b5157fcc1d33032973abbb06b8b1750b4d2f220f51a1ad19/Born-in-a-Body4.png" /&#62;
&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/20b73561d364920472c114098fcb7e30c7cbf60776b7a286fd8ffb11d0d0228e/Born-in-a-Body1.png" data-mid="170640548" border="0"  src="https://freight.cargo.site/w/1000/i/20b73561d364920472c114098fcb7e30c7cbf60776b7a286fd8ffb11d0d0228e/Born-in-a-Body1.png" /&#62;
&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/c0347fa87d4d8ee451c70a88b077c27a3835cd50332ebe888bdc96769e28509c/Born-in-a-Body3.png" data-mid="170640554" border="0"  src="https://freight.cargo.site/w/1000/i/c0347fa87d4d8ee451c70a88b077c27a3835cd50332ebe888bdc96769e28509c/Born-in-a-Body3.png" /&#62;
&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/04e25812cfa1cecaeae171f54b805fc116346328d3317442ee2bc3d4a91317d6/Born-in-a-Body7.png" data-mid="170640607" border="0"  src="https://freight.cargo.site/w/1000/i/04e25812cfa1cecaeae171f54b805fc116346328d3317442ee2bc3d4a91317d6/Born-in-a-Body7.png" /&#62;
&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/c78e3910432d700f563286918fbd215bf0f911b19e012984a4a7dc8646350b02/Born-in-a-Body6.png" data-mid="170640604" border="0"  src="https://freight.cargo.site/w/1000/i/c78e3910432d700f563286918fbd215bf0f911b19e012984a4a7dc8646350b02/Born-in-a-Body6.png" /&#62;
&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/edac4df3fe6b8b462bb9b3b72650cce5318429cd69b4eed38a1b4e8e2305f98e/Born-in-a-Body5.png" data-mid="170640600" border="0"  src="https://freight.cargo.site/w/1000/i/edac4df3fe6b8b462bb9b3b72650cce5318429cd69b4eed38a1b4e8e2305f98e/Born-in-a-Body5.png" /&#62;
Selected stills.
Born in a Body (2023) was installed in the group exhibition Test Test? at the Centre for Art Tapes from March 4th-17th and screened at the Art Gallery of Nova Scotia on March 9th.
To request this documentary for film festival programming or other screenings, please email brodyweaver@gmail.com.
	In Born in a Body (2023), Elliot Ciz and Brody Weaver present an experimental documentary focusing on trans people and their relationships to healthcare. Structured in three parts, the film features dialogue from interviews with one another and seven community members, bringing viewers and listeners on a journey from Sherbourne Health in Toronto to Clinic 554 in New Brunswick and Truro Pride. Disrupting the medicalization of the trans community, the lived experiences and knowledge of this group position trans people as experts of their own lives, bodies, and (medical) needs to reconsider pathologization, typologies of (in)access, generational differences, systems change, and what might be possible when we see trans healthcare as one component of a larger project of wellbeing.
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